A History of Dance

Month

April 2012

54 posts

Interview with Mark Morris and his dancers (Part 2)

MMDG Dancer: Samuel Black

Q: What venue that you have performed in was your favorite?  And why?

SB: We’ve performed in some really beautiful theaters around the world, and at some pretty unusual and funky ones in smaller towns.  We’ve performed at several outdoor theaters, which always add a degree of spontaneity (sun, wind, extra noise…).  I have very fond memories of performing at the New York State Theater in Manhattan, since it was the first theater that I ever performed with MMDG in.

Q: As an artist, how do you define success? 

SB: I think it’s really satisfying to return to a dance that you haven’t worked on in a while.  As dancers, we have very strong muscle memory, so it’s often easy to remember how it USED to feel to do a certain dance.  When you have the opportunity to approach that same dance as a more proficient dancer and artist, you can really get a sense for how much you’ve grown.  Since you already know the steps, you can delve deeper into the experience of performing it.

Q: If you were not a dancer today, what profession would you have chosen?

SB: I love food, so I’d consider going into something in the culinary field.  Maybe not as a chef, but as a food writer or restaurant critic.  What’s better than being paid to eat delicious food?

Q:  All this touring….what’s your least favorite form of transportation/traveling?

SB: Until recently, reading on a bus made me carsick, so that made some of our longer bus rides pretty tedious. Since I’d guess that most people don’t LOVE taking the bus, we try to make the longer rides fun. Our best idea was the Bus-B-Q, which is a potluck on wheels.

MMDG Dancer: Aaron Loux

Q: As an artist, how do you define success?

AL: Success is enjoying what you do and committing yourself to it.  

Q: Do you keep with current trending moves ie: The Bernie, The Dougie, The Spongebob etc. 

AL: No. I only recognize the name Spongebob. 

Q: What made your first realize you wanted to pursue a career as a dancer?

AL: I danced through the entire summer before my last year of high school. It showed me that dancing, which had previously been a hobby I loved, could be as a profession demanding, intellectually stimulating, and intensely rewarding.

Q: All this touring….what’s your least favorite form of transportation/traveling?

AL: Traveling by bus can be pretty uncomfortable. However, it’s wonderful when we’re driving though a beautiful place, like when we drove down along the California coast from Arcadia to Davis. 

Apr 16, 20123 notes
#Mark Morris #dance #modern #modern dance #aaron loux #samuel black #interview
Interview with Mark Morris and his dancers (Part 1)

Q: You’ve produced over 130 dances for the MMDG; where do you draw your inspiration from?  Is it ever difficult to come up with something “new” to say?

MM: All of my work: for my company, for ballet companies, and in opera, comes from music.  Music is the engine that drives me. I don’t know if I’ve ever come up with anything “new”.  I just try not to repeat myself too obviously. 

Q: What style of dance is your favorite to watch? Perform?

MM: I love to watch Indian Classical dance. I love folk dance and social dancing, waltz, Polka, Schottisch

Q: If you were not a dancer today, what profession would you have chosen?

MM: I would be a singer - a baritone 

Q: All this touring…what’s your least favorite form of transportation/traveling?

MM: It’s called an airplane and it is a nightmare.

MMDG Dancer: Lauren Grant

Q: What made your first realize you wanted to pursue a career as a dancer?  

LG: It was love at first plié.  Apparently, after my first dance class at three years of age, I asked my parents if I could return the following day.  When I attended performances of the ballet at Chicago’s grand Auditorium Theater the magical experience transported me. I also remember being moved in this way when, in 1995, I first saw Mark Morris’ L’Allegro, il Penseroso, ed il Moderato at Lincoln Center.  From that performance I knew I wanted to dance in his company.

Q: Do you keep with current trending moves ie: The Bernie, The Dougie, The Spongebob etc.

LG: I do not follow much of the current popular trends—be it movies, music, or gaming.  I’m a bit old-fashioned at heart.

Q: What are the last 3 songs you listened to on your Ipod?

LG: Most recently I probably listened to Scriabin etudes, Ella Fitzgerald’s rendition of All The Things You Are, and some selections from Adam Guettel’s The Light In The Piazza.

Q: All this touring….what’s your least favorite form of transportation/traveling?

LG: I do not enjoy any form of transportation.  Flying has always made me nervous; buses are claustrophobic; and cars make me sick.  Sitting for prolonged periods in all of them promote muscle and joint stiffness—not a pleasant side-effect for a dancer.  I wish I could travel by bicycle to each tour destination!

Apr 16, 20122 notes
#mark morris #dance #modern #modern dance #interview #lauren grant
Apr 16, 20121,873 notes
#pina #pina bausch #dance #modern #modern dance
Apr 16, 201284 notes
#dance #modern #modern dance #richard calmes #balance and counter balance
Apr 16, 2012221 notes
#nicholas brothers #The Nicholas Brothers #dance #tap #tap dance
Apr 16, 20128 notes
#bollywood #dance #india
Apr 16, 201224 notes
#Doris Humphrey #dance #modern #modern dance
Apr 16, 20121 note
#ballet russes #ballet #dance #DVD
Apr 14, 20128 notes
#Mark Morris #Mark Morris Dance Group #grand duo #scott suchman #photography #dance #modern #modern dance
Apr 14, 20125 notes
#dance #hip hop #mega blast #break dance
Apr 14, 201212 notes
#dance #ballet #paris opera ballet
Apr 14, 201222 notes
#twyla tharp #Mikhail Baryshnikov #dance #ballet #moder #modern dance
Apr 14, 2012110 notes
#pina bausch #igor stravinsky #vaslav nijinsky #nijinsky #pina #dance #modern #modern dance
“It is difficult to see the great dance effects as they happen, to see them accurately, catch them fast in memory. It is even more difficult to verbalize them for critical discussion. The particular essence of a performance, its human sweep of articulate rhythm in space and in time has no specific terminology to describe it by.” —Martha Graham
Apr 11, 20128 notes
Apr 11, 20129 notes
#dance #Balazs Krajczar #Chiaki Yasukawa #ballet #krajczar #yasukawa
Apr 11, 20121 note
#Ida Rubenstein #Ida Rubenstein Ballet #dance #ballet
Apr 11, 2012142 notes
#alvin ailey american dance theatre #Alvin Ailey #dance #modern #modern dance
Apr 11, 201214 notes
#dance #ballet #automne bacchanale #anna pavlova #mikhail mordkin
“Choreography is simpler than you think, Just go and do, and don’t think so much about it. Just make something interesting.” —George Balanchine
Apr 10, 201233 notes
#dance #quote #quotes #George Balanchine #ballet #choreography
“It takes ten years, usually, to make a dancer. It takes ten years of handling the instrument, handling the material with which you are dealing, for you to know it completely.” —Martha Graham
Apr 9, 201219 notes
Apr 5, 201227 notes
Apr 5, 201224 notes
Apr 4, 201250 notes
#dance #modern #modern dance #Mark Morris #mark morris dance group #grand duo #marc royce #photography
Apr 4, 201247 notes
#pina bausch #dance #modern dance #modern
Apr 4, 201228 notes
#ballet #dance #modern ballet #vaslav nijinsky #ballet russes
“There are likewise three kinds of dancers: first, those who consider dancing as a sort of gymnastic drill, made up of impersonal and graceful arabesques; second, those who, by concentrating their minds, lead the body into the rhythm of a desired emotion, expressing a remembered feeling or experience. And finally, there are those who convert the body into a luminous fluidity, surrendering it to the inspiration of the soul.” —Isadora Duncan
Apr 4, 201220 notes
Apr 4, 2012103 notes
#Alvin Ailey #alvin ailey american dance theatre #dance #modern #modern dance #african-american
“Dance in the most perishable of the arts. Ballets are forgotten, ballerinas retire, choreographers die—and what remains of that glorious production which so excited us a decade ago, a year ago, or even last night?” —Jack Anderson
Apr 1, 201212 notes
Apr 1, 201238 notes
#helmut newton #photography #dance #modern #modern dance #ballet #pina bausch #1983
Apr 1, 201250 notes
#dance #tap #tap dance #musical #musical theater #gene kelly #hollywood
Apr 1, 201217 notes
#dance #ballet #the firebird #Tamara Karsavina #Adolph Bolm
Apr 1, 201214 notes
#Doris Humphrey #dance #modern #modern dance #Humphrey-Weidman

March 2012

61 posts

“Man must speak, then sing, then dance. The speaking is the brain, the thinking man. The singing is the emotion. The dancing is the Dionysian ecstasy which carries away all.” —Isadora Duncan
Mar 30, 20127 notes
Mar 30, 201242 notes
#twisted in blue #dance #uchida kaoru
Mar 30, 201214 notes
#katherine dunham #dance #modern #modern dance #african-american #Afro-Caribbean dance
Mar 30, 20128 notes
#movementary #jamie fisher #dance
Mar 30, 20129 notes
#Merce Cunningham #dance #Merce Cunningham Dance Company #modern dance #modern #postmodern #post-modern #post-modern dance #postmodern dance
Mar 30, 201219 notes
#dance #ballet #photography #serge lido #1951
“The dance exists exclusively in terms of the movement of the body, not only in the obvious sense that the dancer moves, but also in the less apparent sense that its response in the spectator is likewise a matter of body movement.” —John Martin
Mar 27, 20125 notes
“Dancing is a very living art. It is essentially of the moment, although a very old art. A dancer’s art is lived while he is dancing. Nothing is left of his art except the pictures and the memories—when his dancing days are over.” —Martha Graham
Mar 27, 201216 notes
Mar 27, 201288 notes
#Pina #pina bausch #dance #modern dance #modern
Mar 27, 201228 notes
#martha graham #dance #modern #modern dance
Mar 27, 2012141 notes
#Paul Taylor #Paul Taylor Dance Company #dance #modern dance #modern #vogue
Mar 27, 201298 notes
#singin in the rain #dance #musical theater
“Basic dance—and I should qualify the word basic—is primarily concerned with motion. So immediately you will say but the basketball player is concerned with motion. That is so—but he is not concerned with it primarily. His action is a means towards an end beyond motion. In basic dance the motion is its own end—that is, it is concerned with nothing beyond itself.” —Alwin Nikolais
Mar 26, 20125 notes
“The dance, just as the performance of the actor, is kinesthetic art, art of the muscle sense. The awareness of tension and relaxation within his own body, the sense of balance that distinguishes the proud stability of the vertical from the risky adventures of thrusting and falling—these are the tools of the dancer.” —Rudolph Arnheim
Mar 26, 201220 notes
Mar 26, 20126 notes
#dance #modern #modern dance
Mar 26, 201212 notes
#erick hawkins #dance #modern #modern dance
Mar 26, 20122 notes
#Charles Weidman #dance #modern #modern dance
Mar 26, 20125 notes
#lisa zahiya #dance #Belly Dance #raqs sharqi
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